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The Bridge is Love

  • There's a land of the living and a land of the dead
  • And the bridge is love, the only survival, the only meaning.

  • Thorton Wilder

Start the Story

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Sept 2013

I am face to face with my mother. An urgent call from my sister had me over the bridge from Manhattan to Brooklyn in less than an hour. I meet them in the Flatlands section, where telephone wires stretch high over the streets and the sun sucks the color out of everything. Not tree in sight; a desert of semidetached “Futurama” homes built in the ‘50s. What is my mother doing here? Medicare, I guess, Medicare is what she’s doing...

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I am dreaming. Dreaming of my body aging: I’m with a group of young women; I ask them to speak up so I can hear. I’m with an old man, hair dyed garish red, who says “people our age. . . ,“ presuming I’m as old as he. I wake thinking sic transit gloria mundi . . . Thus passes the glory of the world, a cautionary line from the old Papal coronation ceremony, a little grandiose as applied to the little old Jewish lady my mother had become, but...

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After my mother breathed her final breath, where did she go? Being present at her death was to find myself suspended in the profound mystery of things; death, I suppose, the original mystery, that is, after life itself. Even after we wrapped her body, covered her face and stood as she was carried on a pallet from her home, I couldn’t leave, as it was clear to me she hadn’t entirely left.

My sisters, niece and nephew dispersed to other...

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“Mom, please stop singing.” This, from my 13-year old, as she lies, draped over the couch, head in my lap, half watching, half snoozing through the 2015 Tony Awards. Apparently, I’ve provoked her with my local rendition of You’ll Never Walk Alone, singing along with Josh Groban, who delivers it from the Tony stage.

“Sophie, let Mommy be Mommy!,” my battle cry whenever she tries to restrain my enthusiasms, many of which suddenly...

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There’s a theater term, “flop sweat,” which has always made me feel a visceral disgust. It conjures David Mamet characters, ragged with small-time ambition, smelling faintly of fear and alcohol, struggling to succeed on their last chance. I think the term originated in stand up comedy—describing the public humiliation of being up there well into your set and NO ONE is laughing. By 23, I perceived this to be my own reality—I had flop...

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The day before my Yale audition, I took the train to Philadelphia, where the last round of auditions were held, borrowing the dorm room of my mother’s friends’ son, a medical school student named Steve Zamore, someone of the sort I was supposed to marry if all else failed. I got no sleep. Not a second. In an anxious fog, I rehearsed all night like someone praying in prison knowing they’ll be shot in the morning.

The next day, when I...

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